Book 2, on notation, includes sections on poetic feet as related to musical. Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. According to Grove Music, this includes a discussion of Ambrosian chant. You can sample activities in any order you like, or follow the chapters of the book and try the activities suggested there.
#PRACTICA MUSICA 5 PLUS#
It contains over 150 learning activities for both beginning and advanced students, plus a digital multimedia textbook, Exploring Theory. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Practica Musica is a complete music theory and ear training tutor. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century.Ĭhanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. One of the most consequential developments in the long history of music theory has been its gradual integration with the discipline of musica practica, a discipline that until at least the eighteenth century was considered largely distinct from the rarefied concerns of classical musica theorica.
0 kommentar(er)
